The Charles Parker Prize 2010

Originally established in 2004 we are very pleased to announce that after a break of a year there will be a Charles Parker Prize for the best Student Radio Feature in 2010. 

The free-to-enter competition will offer a prize of a £500, (provided by the Charles Parker Trust and the University of Sunderland); a two week placement at BBC Radio Features Department in London... plus a SADiE 6 "sound suite" (as used by BBC Radio Features) provided by Prism Sound to the best Student Radio Feature completed and assessed during the qualifying period.

This award is open to students studying radio at Further or Higher Education establishments within the United Kingdom for a radio feature (maximum duration 15 minutes) produced between September 2008 and February 2010.

The feature must in some way reflect an essence of Parker's own work - story led documentaries (or short features) that reflect the lives and concerns of ordinary people and demonstrate evidence of creative radio production techniques.

This years judges are:  

Simon Elmes , Creative Director, Documentaries and Features, BBC Radio
Gillian Reynolds, Radio Critic of the Daily Telegraph and former Chair of the Charles Parker Trust
Matt Thomson, multi-award winning radio producer from Loftus North Productions.

Entries must be submitted on CD and accompanied by an entry form which you can download here

Entry Form (revised)

This form must be signed by your tutor and sent to:-

David Puttnam Media Centre 
St Peter's Campus
University of Sunderland
SUNDERLAND 
SR6 0DD

 For further information about the Prize please email andy.cartwright@sunderland.ac.uk


Previous winners

The first award winner Mark Williams was a first year student on the Communications and Media degree course at Goldsmiths College, University of London. Mark discovered radio while serving a sentence at Wandsworth Prison. Inside Out is an audio diary of his last hours before release, and his first minutes as a free man. It chronicles his emotions as he awaits his moment of freedom, the euphoria which follows it and the mixed feelings on encountering the outside world again.  Mark received his award from Simon Elmes at the second Charles Parker Day event in Birmingham in April, 2005. Presenting him with his prize, Simon praised the power of the piece, the moving nature of the content and the control with which it was handled, adding: "This was an amazing piece of work, technically assured, beautifully assembled, with an unbeatable mix of actuality and personal confessional." Receiving the award, Mark said that making Inside Out and receiving the prize had changed his life, and would continue to do so. Charles Parker would have approved.

The second award went to Ruth-Anne Lynch , a recently graduated MA student from the University of Sunderland, for her feature, Family Ties, which chronicled her return to her family home in Guyana, and the illness of her father. Of this feature, Simon Elmes said" The voices and personalities were strong and arresting -  it was quite literally a slice of life, moving and amusing. The complete freshness of the programme and its sheer zest were what took my imagination."

The third award was given to Katie Burningham for Lieutenant Pigeon, a five minute documentary on the 'Save the Trafalgar Square Pigeons', a campaign group formed in 2000 to challenge the ban on feeding pigeons in the Square. It centres primarily upon the figure of a ex-soldier and homeless man called Tony, aka Lieutenant Pigeon. Katie said `I was thrilled that a piece about more esoteric members of society was recognised by the judges. Winning this award was the best way of giving my thanks to the people who spared their time to take part in the feature.¿

In fourth winner was Matthew Rogers of University College Falmouth for his piece A long commute telling the story of immigrant land-workers from Eastern Europe and their lives in the UK. Judges were united in their praise of this sensitive and sophisticated programme saying "touching stories, beautifully translated", "a snapshot of lives we over-report but don't really know".

 
  
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